首页 电视剧电影动漫综艺纪录片新闻资讯
searchformat_list_numberedaccount_circle
首页电视剧电影动漫综艺纪录片新闻资讯

舌头不打结

饶舌,众口一词Tongues Untied

舌头不打结
1989
美国
 
纪录片 

Marlon Riggs' essay film TONGUES UNTIED gives voice to communities of black gay men, presenting their cultures and perspectives on the world as they confront racism, homophobia and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists), music, performanc...

剧情介绍
keyboard_arrow_down
  Marlon Riggs' essay film TONGUES UNTIED gives voice to communities of black gay men, presenting their cultures and perspectives on the world as they confront racism, homophobia and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists), music, performance and Riggs' autobiographical revelations. The film was embraced by black gay audiences for its authentic representation of style, and culture, as well its fierce response to oppression. It opened up opportunities for dialogue among and across communities. TONGUES UNTIED has been lauded by critics for its vision and its bold aesthetic advances, and vilified by anti-gay forces who used it to condemn government funding of the arts. It was even denounced from the floor of Congress. Black men loving Black men is the revolutionary act is the rallying cry at the film's end and after more than twenty years, TONGUES UNTIED remains a celebrated vehicle for eloquent self-expression and liberation.
精彩影评
keyboard_arrow_down

游客2022-06-01
Angry funny erotic and poetic. Music video doc and poem. Interview and confession. Black men loving Black men as a revolutionary act. Snap snap snap


游客2022-06-01
可能因为是男性而且自身社会地位也比较成功,作为black gay man他都很直接就自己进去片里带节奏(看隔壁Su Friedrich拍Sink or Swim连第一人称都不敢用),说本来想拍念诗,后来发现rap起来更强。不同人出来讲the snap和 phone sex也蛮特别的。但这种学者电影...嗯怎么说,对他这个人写的东西,比对他的电影感兴趣吧(= 觉得看他写的东西就够了)


游客2022-06-01
也太好看了,可惜結尾那段實在太ableist了扣一分⋯


游客2022-06-01
真的好厉害啊,把自己的心理剖析的那么深入而透彻,怨恨、空虚、悲伤、愤怒、沉默全部跃然纸上,看的人完全能和他们共情,这样把自己“切开”并摆上桌面让人看可是很需要勇气的。


游客2022-06-01
自以为阅(queer)片无数的我,上课看了这部纪录片,才知道 “I know nothing ”。(25)